Selasa, 30 September 2014

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  • Sales Rank: #11295255 in Books
  • Published on: 2008-05-11
  • Binding: Hardcover

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Jumat, 26 September 2014

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  • Sales Rank: #2968165 in eBooks
  • Released on: 2013-04-25
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  • Sales Rank: #4333841 in Books
  • Published on: 1997-08-07
  • Binding: Paperback

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Sycamore Row: A Novel (Jake Brigance Book 2), by John Grisham

#1 NEW YORK TIMES BESTSELLER

Don’t miss an original essay by John Grisham in the back of the book.

John Grisham takes you back to where it all began. One of the most popular novels of our time, A Time to Kill established John Grisham as the master of the legal thriller. Now we return to Ford County as Jake Brigance finds himself embroiled in a fiercely controversial trial that exposes a tortured history of racial tension.
 
Seth Hubbard is a wealthy man dying of lung cancer. He trusts no one. Before he hangs himself from a sycamore tree, Hubbard leaves a new, handwritten will. It is an act that drags his adult children, his black maid, and Jake into a conflict as riveting and dramatic as the murder trial that made Brigance one of Ford County’s most notorious citizens, just three years earlier. The second will raises many more questions than it answers. Why would Hubbard leave nearly all of his fortune to his maid? Had chemotherapy and painkillers affected his ability to think clearly? And what does it all have to do with a piece of land once known as Sycamore Row?

Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
 
Praise for Sycamore Row
 
“Powerful . . . immensely readable . . . the best of his books.”—The Washington Post
 
“Welcome back, Jake. . . . [Brigance] is one of the most fully developed and engaging characters in all of Grisham’s novels.”—USA Today
 
“One of [Grisham’s] finest . . . Sycamore Row is a true literary event.”—The New York Times Book Review


From the Trade Paperback edition.

  • Sales Rank: #3379 in eBooks
  • Published on: 2013-10-22
  • Released on: 2013-10-22
  • Format: Kindle eBook

Review
“Powerful . . . immensely readable . . . the best of his books.”—The Washington Post
 
“Welcome back, Jake. . . . [Brigance] is one of the most fully developed and engaging characters in all of Grisham’s novels.”—USA Today
 
“One of [Grisham’s] finest . . . Sycamore Row is a true literary event.”—The New York Times Book Review

About the Author
John Grisham is the author of a collection of stories, a work of nonfiction, three sports novels, four kids’ books, and many legal thrillers. His work has been translated into forty-two languages. He lives near Charlottesville, Virginia.

Excerpt. © Reprinted by permission. All rights reserved.
1

They found Seth Hubbard in the general area where he had promised to be, though not exactly in the condition expected. He was at the end of a rope, six feet off the ground and twisting slightly in the wind. A front was moving through and Seth was soaked when they found him, not that it mattered. Someone would point out that there was no mud on his shoes and no tracks below him, so therefore he was probably hanging and dead when the rain began. Why was that important? Ultimately, it was not.

The logistics of hanging oneself from a tree are not that simple. Evidently, Seth thought of everything. The rope was three-quarter-inch braided natural Manila, of some age and easily strong enough to handle Seth, who weighed 160 pounds a month earlier at the doctor's office. Later, an employee in one of Seth's factories would report that he had seen his boss cut the fifty-foot length from a spool a week before using it in such dramatic fashion. One end was tied firmly to a lower branch of the same tree and secured with a slapdash mix of knots and lashings. But, they held. The other end was looped over a higher branch, two feet in girth and exactly twenty-one feet from the ground. From there it fell about nine feet, culminating in a perfect hangman's knot, one that Seth had undoubtedly worked on for some time. The noose was straight from the textbook with thirteen coils designed to collapse the loop under pressure. A true hangman's knot snaps the neck, making death quicker and less painful, and apparently Seth had done his homework. Other than what was obvious, there was no sign of a struggle or suffering.

A six-foot stepladder had been kicked aside and was lying benignly nearby. Seth had picked his tree, flung his rope, tied it off, climbed the ladder, adjusted the noose, and, when everything was just right, kicked the ladder and fell. His hands were free and dangling near his pockets.

Had there been an instant of doubt, of second-guessing? When his feet left the safety of the ladder, but with his hands still free, had Seth instinctively grabbed the rope above his head and fought desperately until he surrendered? No one would ever know, but it looked doubtful. Later evidence would reveal that Seth had been a man on a mission.

For the occasion, he had selected his finest suit, a thick wool blend, dark gray and usually reserved for funerals in cooler weather. He owned only three. A proper hanging has the effect of stretching the body, so Seth's trouser cuffs stopped at his ankles and his jacket stopped at his waist. His black wing tips were polished and spotless. His blue necktie was perfectly knotted. His white shirt, though, was stained with blood that had oozed from under the rope. Within hours, it would be known that Seth Hubbard had attended the 11:00 a.m. worship service at a nearby church. He had spoken to acquaintances, joked with a deacon, placed an offering in the plate, and seemed in reasonably good spirits. Most folks knew Seth was battling lung cancer, though virtually no one knew the doctors had given him a short time to live. Seth was on several prayer lists at the church. However, he carried the stigma of two divorces and would always be tainted as a true Christian.

His suicide would not help matters.

The tree was an ancient sycamore Seth and his family had owned for many years. The land around it was thick with hardwoods, valuable timber Seth had mortgaged repeatedly and parlayed into wealth. His father had acquired the land by dubious means back in the 1930s. Both of Seth's ex-wives had tried valiantly to take the land in the divorce wars, but he held on. They got virtually everything else.

First on the scene was Calvin Boggs, a handyman and farm laborer Seth had employed for several years. Early Sunday morning, Calvin had received a call from his boss. "Meet me at the bridge at 2:00 p.m.," Seth said. He didn't explain anything and Calvin was not one to ask questions. If Mr. Hubbard said to meet him somewhere at a certain time, then he would be there. At the last minute, Calvin's ten-year-old boy begged to tag along, and, against his instincts, Calvin said yes. They followed a gravel road that zigzagged for miles through the Hubbard property. As Calvin drove, he was certainly curious about the meeting. He could not remember another occasion when he met his boss anywhere on a Sunday afternoon. He knew his boss was ill and there were rumors he was dying, but, like everything else, Mr. Hubbard kept it quiet.

The bridge was nothing more than a wooden platform spanning a nameless, narrow creek choked with kudzu and crawling with cottonmouths. For months, Mr. Hubbard had been planning to replace it with a large concrete culvert, but his bad health had sidetracked him. It was near a clearing where two dilapidated shacks rotted in the brush and overgrowth and offered the only hint that there was once a small settlement there.

Parked near the bridge was Mr. Hubbard's late-model Cadillac, its driver's door open, along with the trunk. Calvin rolled to a stop behind the car and stared at the open trunk and door and felt the first hint that something might be out of place. The rain was steady now and the wind had picked up, and there was no good reason for Mr. Hubbard to leave his door and trunk open. Calvin told his boy to stay in the truck, then slowly walked around the car without touching it. There was no sign of his boss. Calvin took a deep breath, wiped moisture from his face, and looked at the landscape. Beyond the clearing, maybe a hundred yards away, he saw a body hanging from a tree. He returned to his truck, again told the boy to stay inside and keep the doors locked, but it was too late. The boy was staring at the sycamore in the distance.

"Stay here now," Calvin said sternly. "And don't get out of the truck."

"Yes sir."

Calvin began walking. He took his time as his boots slipped in the mud and his mind tried to stay calm. What was the hurry? The closer he got the clearer things became. The man in the dark suit at the end of the rope was quite dead. Calvin finally recognized him, and he saw the stepladder, and he quickly put the scene and the events in order. Touching nothing, he backed away and returned to his truck.

It was October of 1988, and car phones had finally arrived in rural Mississippi. At Mr. Hubbard's insistence, Calvin had one installed in his truck. He called the Ford County sheriff's office, gave a brief report, and began waiting. Warmed by the heater and soothed by Merle Haggard on the radio, Calvin gazed through the windshield, ignored the boy, tapped his fingers along with the wipers, and realized he was crying. The boy was afraid to speak.

Most helpful customer reviews

580 of 619 people found the following review helpful.
Grisham is Back!!
By Carollyn50
I have always loved John Grisham's books. I can remember when I was introduced to his writing when I read A Time To Kill. I read ALL of the time - I inhale books. I have been disappointed in the last few Grisham books. In fact, I was quite irritated to read his baseball ones. I felt he had abandoned his best writing : lawyer, courtrooms, small Southern towns. Well, I just finished Sycamore Row. Oh, my! It's a wonderful book. I loved how I could not guess how the ending would be. I will have to say Grisham is back 100%. This book will shoot to the number one spot on the best sellers list!

799 of 866 people found the following review helpful.
Oh yeah... it's that good!
By Jason Frost
The beginning of 'A Time to Kill' opens with one of the cruelest act that could ever be committed on a fellow human being. That scene will forever be seared in the minds of anyone who has read it.

The ending of 'Sycamore Row' will evoke that exact same emotion.

I digress but let me quickly throw this in since I'll get this question five thousand times a day until Christmas. "Is this book really a sequel to 'A Time to Kill'? It depends on what your definition of "sequel" is. If to you a sequel is a book that includes the same characters as the previous book, then yes. If to you a sequel is a book that continues on the same storyline as the previous book, then no. There are references to Carl Lee and "that verdict" but not enough (in my opinion) to call it a continuation of the storyline in 'A Time to Kill'.

I know that's splitting hairs and to be honest... it really doesn't matter.

'Sycamore Row' is a GRAND SLAM in the bottom of the ninth, bases loaded, last game of the Series, off a pitcher that, up to that point, has thrown a perfect game. If you think I'm exaggerating I would love to chat with you after you've read this book. Seriously. I'm an unapologetic fan of Grisham and while I think he is a magnificent writer, I'm under no illusion that everything he writes is gold. (*Ahem*, 'The Last Juror', 'The Racketeer'). But there are the gold ones like 'The Broker', 'The Confession', 'A Time To Kill'...

And now 'Sycamore Row'.

This story centers around a colorful old man named of Seth Hubbard. Seth is old. Seth is dying. Seth is rich. Unfortunately the rich part is the one that draws the attention of everyone. Even if said rich is only speculative, and not yet proven. Seth is a shrewd yet successful business man with a plan that, on the surface, looks like he's lost his damn mind. He kills himself, leaves behind a new will that cuts out his children and bequeaths 90% of his estate to the Black maid.

A white man in the Deep South leaving the bulk of his rumored riches to his Black hired help... yeah, can't see why that would be a problem. Although the will is explicit in its direction and clear in its execution, you know it'll be challenged. Why? Because there hasn't yet been a law written that is above the scrutiny of the mighty and great wisdom of the all-knowing attorney. And so begins the circus.

We do have the pleasure of witnessing the antics of Harry Rex and beloved Lucien once again. These guys. I swear, there isn't enough alcohol in Ireland to sate those two. Despite their quest to become the reincarnation of 'Bartles & James', Ford County would be one hell of a boring place without them. And Jake would be lost.

Ah yes Jake. Life hasn't gone exactly as our brave lawyer hoped. Of course he did try a double murder case for only $900, so I'm not sure what he expected from good ole' Ford County. He's brought into this battle courtesy a mailed letter from Mr. Hubbard himself. Now contesting a will does seem dull and boring, and I'm sure in real life it is. But in the hands of John Grisham, following all this mess is pure joy.

Lettie Lang is the Black housekeeper who is the heir to this (potential) windfall. And because of such the leeches and distant family have all shown up to "help her through this rough and difficult time". Not only that, but she doesn't heed the advice of Jake and surrounds herself with one of the most jerk-off character I've had the pleasure of reading in a Grisham novel. I'll only say he's a lawyer from Memphis, TN and I was literally laughing out loud at this clown. Think of it like this... what if Al Sharpton had an entourage?

A good writer tells you about the interaction between characters. A great writer makes you feel the interaction between the characters. I wasn't sure if I liked Judge Atlee or not. At times I was cheering, other times I was found myself using words that I specifically invented for that lawyer clown from Memphis. I wanted to hug Dell and ask her if she's make me some shrimp-n-grits while bumping that ample derriere against me. My respect for Sheriff Ozzie grew and my distain for Seth's "family" only grew. And by "grew" I mean "like cancer".

The last time I felt such hatred and bile for a person(s) was Travis Boyette in 'The Confession'. And unless your father's name is Lucifer, you will too. Remember how I said a great writer will make you feel the interaction between the characters? With the loathing I had for this family, I felt that interaction between those characters and ME! His offspring are probably the only people who could make a suicide (by hanging no less) feel like a bloody escape.

Now... I'm going to warn you that there are two parts in this book that will make you pause. (Don't worry no spoilers here.). The first is an incident that involves Lattie Lang's husband. The father of the family he affects comes to speak to Jake and that conversation... if your eyes don't get a little bit wet then you have a heart of pure concrete.

The second part I alluded to earlier is the ending. 'A Time to Kill' has one of the most disturbing openings you'll read. 'Sycamore Row' has one of the most disturbing endings. The more you read the faster your heart beats. And the faster your heart beats the more you read. As you read this book you wonder "what does this have to do with that?", "what is the significance of that?" And then it hits you... right in the gut.

Hard.

'Sycamore Row' is history. 'Sycamore Row' is symbolic. 'Sycamore Row' is a place of pain. 'Sycamore Row' is a place of beauty. 'Sycamore Row' is one of the best books I've read this year.

*Personal note: John Grisham has had a few give-a-ways and contests with this new book of his. I entered but I didn't win. (No surprise there if you're familiar with my luck) You know what I wish John would do? I wish he would have a contest and then the winner(s) of the contest get to come to his house, sit on the porch, drink sweet (very sweet) iced tea, snack on boiled peanuts, and just listen to John tell stories. I've said this before but John has that old school, old soul, old traditional Southern way of telling stories. And it translates perfectly to paper.

Google Hangouts and FB question and answer sessions are great ways to connect us with our favorite writers. But imagine... just imagine a weekend in Mississippi immersed in the Southern culture, shooting the breeze on a slow Saturday afternoon with one of the most engaging storytellers writing today. THAT would be something. OK enough mindless meanderings from a book lover, back to your regularly scheduled life. And reading.

183 of 204 people found the following review helpful.
THE REAL JOHN GRISHAM IS BACK
By rocketfuel
This is a real page turner. John Grisham has written some of the best fiction in the world over the years although in recent years it did seem like he was experimenting with different writing styles and looser legal research. It wasn't clear if he was losing his touch or just bored. This yarn brings back many of the characters from "A Time to Kill" set just three years later. It starts off with a last minute, hand written will arriving in the mail just days after the wealthiest man in the county takes his own life--a man that was so secretive that virtually no one knew he had any wealth at all. His family is cut out of his estate and replaced with his black maid as the beneficiary at the last minute which is where the fireworks begin. The lawyers start piling on thicker than stacks of firewood. Its impossible to figure out what is going on with all the twists and turns and the pages just keep turning. Don't start this one if you have any important appointments to keep in the morning.

Update: It might not have been clear what was meant by different writing styles and looser legal research. In a number of the author's recent books, he had written in the first person ("I looked at the judge and wondered exactly what he was thinking"), adding to that a present tense approach, which can be really hard to get into ("I am walking down the hallway and see the opening to the courtroom ahead"). This book returns to the more traditional (and I think easier to read) what is called third person, past perfect ("She looked at the painting in silence and thought to herself that no one in their right mind would hang such an abomination on a perfectly good wall. The victim, of course, hadn't moved and still stared at it with unseeing eyes."). As to looser legal research, the author, himself, mentioned that in disclaimers at the end of the last several stories, stating that he has become a lazy writer and has made up a good portion of the legal and technical facts. I tend to think he has been stretching the truth a little on this point as he has listed quite a few individuals as consultants, professional or otherwise. The characters--this is Grisham after all--are as disfunctional as ever but they come to life with his great writing such that you have to love them anyway. Most of them are like bad relatives that you wouldn't actually want to spend time with but love hearing stories about for the entertainment value.

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Lincoln at Gettysburg: The Words That Remade America, by Garry Wills

  • Sales Rank: #4239890 in Books
  • Published on: 1992
  • Binding: Hardcover

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Will be shipped from US. Brand new copy.

  • Published on: 1991-04-01
  • Binding: Paperback

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Italian Affair, by Annie Seaton

Free-spirited sex therapist Brianna Ballantine has four days to find a fiancé so she can inherit her birth mother’s Italian villa. Commitment is not on the agenda. Writing her sex therapy book and signing legal papers are. And once all is said and done, she’ll return home to Scotland.

For finance guru Tomas Richards, relationships have been a bad investment—give him stocks and shares any day. When Tomas offers a marriage of convenience to help Brianna secure her inheritance, the sizzle between the sheets promises an affair to remember, despite family complications at every turn.

But Tom must convince Brianna to stay, and make this Italian affair a lifelong commitment.

  • Sales Rank: #181823 in eBooks
  • Published on: 2013-06-10
  • Released on: 2013-06-10
  • Format: Kindle eBook

Review
Against a perfect Italian romantic backdrop, Annie Seaton has given us a story about finding your true self as well as finding your true love. If you pick up no other summer read this year, at least pick up this one. Just like her previous release HOLIDAY AFFAIR, which is Book 1 of her Affair Series, this is a worthwhile piece of women's fiction as well as a romance read. It ticks all the boxes when it comes to a good romance read. Don't miss it.

ITALIAN AFFAIR is Book II in Annie Seaton's Affair Series.

About the Author
Annie lives in Australia, on the beautiful mid north coast of New South Wales. She sits in her writing chair and gazes at the tranquil Pacific Ocean while she dreams up romances. 
The first book in the Affair series, Holiday Affair, hit the best seller lists on both Amazon US and Amazon UK within a month of release! 

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2 of 2 people found the following review helpful.
Love Italy!
By Pat Fordyce
What is a guy to do when a perky redhead with a nice butt drops into the seat next to him for a very long flight? He has already figured out she's a scatterbrain from what he sees at the boarding gate in the terminal. Well, to start, keep his earbuds in so he doesn't have to acknowledge her. This "guy" is Tomas Richards , heading to Lipari Island, Italy for some family business. . After they are in flight, the redhead introduces herself..." I'm Brianna, I hate flying and I talk way to much when I'm nervous so I'll apologize in advance."
Tomas is a straight laced business man, loves writing lists, has given up his home in Australia to enjoy the wonders of Italy, and help his widowed aunt with her marina business.

Brianna Ballantyne is a Clinical Pschychiatrist specializing in sex and couples therapy, taking a vacation to write, and hopefully find her birth mother. Her home is in Scotland. She is also on the way to Lipari Island to find out about a strange bequest from her Mom, who had recently passed away without Brianna ever meeting her. She has taken a dim view of her seat mate, calling him in her head "A pompous prick ." After traveling for twenty four hours together they actually form a friendship. Neither knows what they'll face in Lipari

What follows is a hilarious, touching, and actually kind of teary eyed adventure. I could almost hear Brianna's delightful accent, and picture Tomas's attempt to maintain his stuffy ways. This is a delightful read!

I would recommend this novel for the great characters, and the descriptions of the beauty that is Italy.

I received this novel from the author for an honest review.

2 of 2 people found the following review helpful.
It's those quiet types you have to watch...
By Gloria Herrera
Witty, beautiful and totally off the wall Brianna has met her match! Those Richards brothers are all handsome and mouth watering delectable. Tomas is the quiet type... making him totally opposite to Brianna.

Fate again is working her charm with these two. I found this story not only entertaining, but totally engaging and sexy. Only Annie Seaton can weave a story like this. These two characters will stay with you after reading this story. I love her writing style and hope to read more of her books. Thank you Annie for a wonderful story!

1 of 1 people found the following review helpful.
Italian Affair was a funny, sweet romance!
By Harlequin Junkie Blog
Italian Affair by Annie Seaton: Brianna, adopted at birth, has never felt like she truly fit in with her family. She has searched for her birth mother to no avail, much to her disappointment. Italian Affair begins when Brianna has made her way to Australia from her homeland Scotland, to finish writing her sex therapy book. She has just got there when she receives a letter from her birth mother's lawyer...it has bounced around the post following her. When she finally receives it she has just days to get to the island of Lipari in Italy to claim the inheritance left to her. There is just one catch to the inheritance of her mother's home though...Brianna must be married. Brianna is as single as they come though, but without a though she heads to Italy, thinking somehow she'll pull this off.

Brianna ends up seated next to Tom on her long flight to Italy. Tom has always been a rule follower, organized and business obsessed. He has finally had enough of how his life has been and is moving to Italy to run the boat business he bought from his aunt. Brianna and Tom are total opposites...she can't believe he's wearing a suit and making lists, and he can't believe how unorganized and unplanned her trip is! They rub each other the wrong way, but also the right way and they are both intrigued by the other.

By coincidence or fate, they are both travelling to Lispro. They decide to travel to their final destination together, Tom agreeing to help Brianna out at the lawyers with translation...and by pretending to be her fiancee. Things move very quickly though, and quicker than either of them can think they are getting married. Of course, it's only a temporary arrangement so that Brianna can inherit her birth mother's house. It also gets Tom out of his match making aunt's clutches, and he gets to help a beautiful lady out. Soon though, they both feel things are spiralling out of control. What's supposed to be a business arrangement takes on a whole new meaning when the heat between them can't be denied. In a twist that differs from many romantic plots, it's Brianna who's happy to have a no strings attached friends with benefits relationship...something Tom is not comfortable with. They manage to settle into a fun, 'temporary' relationship...and soon Brianna is becoming more organized thanks to Tom, and he is becoming much more relaxed and laid back.

The more time they spend together, the more their feelings are growing for one another. Neither one of them is ready to admit it to the other though, and when Tom has to leave and go home because of a family tragedy, both of them miss each other more than they'd thought they would. Still, Brianna is determined to make a clean break now that Tom's gone, and disappears before he comes back to Lispro and the life they've created together. Tom is convinced they belong together though...now if only he can help Brianna see this too.

I loved meeting Brianna's big Italian family with her, and the different personalities from her doubting Grandfather to her welcoming aunt. Annie gives us just enough background of both Brianna and Tom that you definitely don't have to read the first book in this series before reading this one (I didn't).

Italian Affair was a funny, sweet romance and I found myself really hoping Tom and Brianna would see they were meant to be together! Brianna is fun, spontaneous, and has a big heart. She is open and honest about most things...except when she is in denial about her feelings for Tom! She's very comfortable with her sexuality which I loved! Tom is the organized, more rigid minded hero...but something about Brianna makes all that go out the window and he finds himself relaxing and following his heart more and more. I really think Tom and Brianna bring out the best in each other! Things moved really quickly with Tom and Brianna...at first for show until it started growing into more...and I think things like this could happen!

I also loved Annie's descriptive writing of Lispro and the villa, the streets, the coffee shops...I could easily feel like I was there!

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Minggu, 21 September 2014

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The Age of Total War, 1860-1945 (Studies in Military History and International Affairs) [Paperback] [2010] Reprint Ed. Jeremy Black, by Je

  • Published on: 2009-09-16
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Kamis, 18 September 2014

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The War That Ended Peace: The Road to 1914, by Margaret MacMillan

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The New York Times Book Review • The Economist • The Christian Science Monitor • Bloomberg Businessweek • The Globe and Mail

From the bestselling and award-winning author of Paris 1919 comes a masterpiece of narrative nonfiction, a fascinating portrait of Europe from 1900 up to the outbreak of World War I.
 
The century since the end of the Napoleonic wars had been the most peaceful era Europe had known since the fall of the Roman Empire. In the first years of the twentieth century, Europe believed it was marching to a golden, happy, and prosperous future. But instead, complex personalities and rivalries, colonialism and ethnic nationalisms, and shifting alliances helped to bring about the failure of the long peace and the outbreak of a war that transformed Europe and the world.
 
The War That Ended Peace brings vividly to life the military leaders, politicians, diplomats, bankers, and the extended, interrelated family of crowned heads across Europe who failed to stop the descent into war: in Germany, the mercurial Kaiser Wilhelm II and the chief of the German general staff, Von Moltke the Younger; in Austria-Hungary, Emperor Franz Joseph, a man who tried, through sheer hard work, to stave off the coming chaos in his empire; in Russia, Tsar Nicholas II and his wife; in Britain, King Edward VII, Prime Minister Herbert Asquith, and British admiral Jacky Fisher, the fierce advocate of naval reform who entered into the arms race with Germany that pushed the continent toward confrontation on land and sea.
 
There are the would-be peacemakers as well, among them prophets of the horrors of future wars whose warnings went unheeded: Alfred Nobel, who donated his fortune to the cause of international understanding, and Bertha von Suttner, a writer and activist who was the first woman awarded Nobel’s new Peace Prize. Here too we meet the urbane and cosmopolitan Count Harry Kessler, who noticed many of the early signs that something was stirring in Europe; the young Winston Churchill, then First Lord of the Admiralty and a rising figure in British politics; Madame Caillaux, who shot a man who might have been a force for peace; and more. With indelible portraits, MacMillan shows how the fateful decisions of a few powerful people changed the course of history.
 
Taut, suspenseful, and impossible to put down, The War That Ended Peace is also a wise cautionary reminder of how wars happen in spite of the near-universal desire to keep the peace. Destined to become a classic in the tradition of Barbara Tuchman’s The Guns of August, The War That Ended Peace enriches our understanding of one of the defining periods and events of the twentieth century.
 
Praise for The War That Ended Peace
 
“Magnificent . . . The War That Ended Peace will certainly rank among the best books of the centennial crop.”—The Economist
 
“Superb.”—The New York Times Book Review
 
“Masterly . . . marvelous . . . Those looking to understand why World War I happened will have a hard time finding a better place to start.”—The Christian Science Monitor
 
“The debate over the war’s origins has raged for years. Ms. MacMillan’s explanation goes straight to the heart of political fallibility. . . . Elegantly written, with wonderful character sketches of the key players, this is a book to be treasured.”—The Wall Street Journal

“A magisterial 600-page panorama.”—Christopher Clark, London Review of Books

  • Sales Rank: #190615 in eBooks
  • Published on: 2013-10-29
  • Released on: 2013-10-29
  • Format: Kindle eBook

From Publishers Weekly
Starred Review. Macmillan, professor of international history at Oxford, follows her Paris 1919 with another richly textured narrative about WWI, this time addressing the war's build-up. She asks, What made 1914 different? and wonders why Europe walk over the cliff given the continent's relatively longstanding peace. She begins by addressing Germany's misfortune in having a child for King; Wilhelm II sought to secure Germany's—and his own—world power status by inaugurating a naval race with Britain. Britain responded by making unlikely friends with France and Russia. Germany in turn cultivated relations with a near-moribund Austria-Hungary. Macmillan tells this familiar story with panache. A major contribution, however, is her presentation of its subtext, as Europe's claims to be the world's most advanced civilization were being challenged from without and undermined from within. Exertions for peace were overshadowed by acceptance of war as a tool that could be used against enemies made increasingly threatening by alliance systems. The nations' war plans shared a deeply rooted faith in the offensive and a near-irrational belief in the possibility of a short war. Macmillan eloquently shows that turning out the lights was not inevitable, but a consequence of years of decisions and reactions: a slow-motion train wreck few wanted but none could avoid. Agent: Christy Fletcher, C. Fletcher & Company LLC. (Nov.)

From Booklist
Anytime something turns 100, the commemorations and look-backs are sure to come rolling in. Take WWI, which “celebrates” the 100th anniversary of its declaration come summer of 2014. Nevertheless, that war, as with most wars, was a long chain of events that culminated in disaster. MacMillan’s charting of those events comprises the bulk of this hefty text. She showcases how numerous royals, politicians, industrialists, colonial advocates, and military minds groped in the dark toward a showdown in which each nation’s respective valor could be tested. The trouble with a book like this is that everything can be lent a veneer of inevitability, but history rarely works in such a linear manner. But MacMillan, famous for her scholarship on the peace concluding WWI, avoids this trap. She shows, again and again, that events could have run in any number of different directions. What resulted was a blunder on the part of plenty of blood-stained hands all around that was far from inevitable. --James Orbesen

Review
“One of the strengths of The War That Ended Peace is MacMillan’s ability to evoke the world at the beginning of the twentieth century. . . . MacMillan’s portraits of the men who took Europe to war are superb. . . . The logic of MacMillan’s argument is such that even now, as she leads us day by day, hour by hour through the aftermath of the assassination of Archduke Franz Ferdinand in Sarajevo on June 28, 1914, we expect some statesman or other to jump on the lighted fuse. . . . ‘There are always choices,’ MacMillan keeps reminding us.”—The New York Times Book Review (Editor’s Choice)
 
“Magnificent . . . The War That Ended Peace will certainly rank among the best books of the centennial crop. . . . [MacMillan] deftly navigates the roiling currents and counter-currents of the pre-war decades. . . . The Great War had a kaleidoscope of causes. Ms. MacMillan tackles them all, with [a] blend of detail and sweeping observation.”—The Economist
 
“The debate over the war’s origins has raged for years. Ms. MacMillan’s explanation goes straight to the heart of political fallibility. Almost every assumption made by the leaders of Europe turned out to be wrong. Elegantly written, with wonderful character sketches of the key players, this is a book to be treasured.”—The Wall Street Journal

“Masterly . . . marvelous . . . Historians have long argued about why the war started and whether it could have been avoided. . . . Margaret MacMillan’s new book The War That Ended Peace: The Road to 1914 will be a welcome addition to these debates. . . . She takes a long look and examines the many forces that had been moving Europe in the direction of a war for a quarter century. . . . MacMillan is a master of narrative detail and the telling anecdote and this makes for a lively read. She does not break new ground in this book as much as present an exceptionally complex story in a way that will appeal to the general reader. Those looking to understand why World War I happened will have a hard time finding a better place to start.”—The Christian Science Monitor
 
“Highly readable.”—The Nation
 
“Margaret MacMillan’s The War That Ended Peace [stands] out because [it reflects] the immensely complex web of politics, power, and relationships that made war possible, if not inevitable.”—The Daily Beast

“A magisterial 600-page panorama . . . a lively and sophisticated overview of the international crises that shook prewar Europe . . . MacMillan is a wry and humane chronicler of this troubled world. . . . The historian’s task, she suggests, is not to judge but to understand. . . . As MacMillan observes in a closing sentence that is well worth taking to heart, ‘there are always choices.’”—Christopher Clark, London Review of Books

“[A] richly textured narrative about World War I . . . addressing the war’s build-up . . . MacMillan tells this familiar story with panache. A major contribution, however, is her presentation of its subtext, as Europe’s claims to be the world’s most advanced civilization ‘were being challenged from without and undermined from within.’ . . . MacMillan eloquently shows that ‘turning out the lights’ was not inevitable, but a consequence of years of decisions and reactions: a slow-motion train wreck few wanted but none could avoid.”—Publishers Weekly (starred review)

“A first-rate study, necessary for all World War I collections. Highly recommended.”—Library Journal (starred review)

“Everything can be lent a veneer of inevitability, but history rarely works in such a linear manner. But MacMillan, famous for her scholarship on the peace concluding WWI, avoids this trap. She shows, again and again, that events could have run in any number of different directions.”—Booklist

“Thorough . . . lively . . . Exhaustive in its coverage of diplomatic maneuvering and the internal political considerations of the various nations, the book includes comprehensive discussions of such motivating issues as Germany’s fears of being surrounded, Austria-Hungary’s fears of falling apart and Russia’s humiliation after losing a war with Japan.”—Kirkus Reviews

“The War That Ended Peace tells the story of how intelligent, well-meaning leaders guided their nations into catastrophe. These epic events, brilliantly described by one of our era’s most talented historians, warn of the dangers that arise when we fail to anticipate the consequences of our actions. This is one of the finest books I have ever read on the causes of World War I.”—Madeleine Albright, former secretary of state
 
“With sure deftness, Margaret MacMillan manages to combine excellent history with elements of the cliff-hanger. You keep hoping that, at the last moment, one of those idiot leaders of 1914 might see the light and blink before it’s too late. No one is better equipped to recount this story than Margaret MacMillan.”—Sir Alistair Horne, author of The Price of Glory
 
“In this epic tale of human folly, Margaret MacMillan brilliantly explores the minds of the flawed, fascinating men whose misguided decisions led to a conflagration that few wanted or believed would actually happen. The War That Ended Peace is a must-read book for our time.”—Lynne Olson, author of Those Angry Days
 
“Once again, Margaret MacMillan proves herself not just a masterly historian but a brilliant storyteller. She brings to life the personalities whose decisions, rivalries, ambitions, and fantasies led Europe to ‘lay waste to itself’ and triggered decades of global conflict. Hers is a cautionary tale of follies a century in the past that seem all too familiar today.”—Strobe Talbott, president, Brookings Institution

“The War That Ended Peace is a masterly explanation of the complex forces that brought the Edwardian world crashing down. Utterly riveting, deeply moving, and impeccably researched, Margaret MacMillan’s latest opus will become the definitive account of old Europe’s final years.”—Amanda Foreman, author of A World on Fire

Most helpful customer reviews

247 of 262 people found the following review helpful.
"Cry 'Havoc' and let slip the dogs of war..."
By FictionFan
As a Brit, studying the First World War at school in the seventies, memories of the Second World War were still fresh and bitter enough amongst parents and teachers that there was never really a question that the Germans were the 'bad guys' in both wars while we (the Brits, primarily, though a little bit of credit was occasionally given to the Allies) were the knights in shining armour. Enough time has passed since both wars now for a more rational view to be taken and this book by Margaret MacMillan is a well balanced, thoughtful and detailed account of the decades leading up to 1914.

MacMillan begins by giving an overview of the involved nations as they were at the turn of the century - their political structure, alliances and enmities, their culture and economic status. She then takes us in considerable depth through the twenty years or so preceding the war, concentrating on each nation in turn, and going further back into history when required. She introduces us to the main players: political, military and leading thinkers. She explains how and why the two main alliances developed that divided Europe and shows the fears of each nation feeling threatened or surrounded by potential enemies. And she shows how this led to an arms race, which each nation initially thought would act as a deterrence to war. Throughout she draws parallels to more recent history and current events, sometimes with frightening clarity.

In the mid-section, MacMillan discusses public opinion and cultural shifts, highlighting the parallel and divisive growth of militarism and pacifism and how the heads of government had to try to reconcile these factions. She indicates that, although the peace movement was international, that at times of threat, the membership tended to split on national lines - an indication that the movement would falter in the event of war, as indeed it did.

Next MacMillan explains the development of military planning and how these plans gradually became fixed, allowing little room for movement when war began. She explains that the Schlieffen Plan assumed war on two fronts and that, when it came to it, the military insisted that it wasn't possible to change the plan at the last moment to limit the war to the Eastern front, with all the implications that had for ensuring that France and therefore Britain would become involved. MacMillan also shows how the plans of each nation assumed an offensive, rather than defensive, strategy, taking little account of how modern weaponry would change the nature of warfare. Thus, when the war did come, the leaders still expected it to be short and decisive rather than the long drawn out trench warfare it became.

In the final section, MacMillan walks us through the various crises in the Balkans and elsewhere in the years leading up to the war. She makes the point that not only did these crises tend to firm up the two alliances but also the fact that each was finally resolved without a full-scale war led to a level of complacency that ultimately no country would take the final plunge. And in the penultimate chapter, she takes us on a detailed journey from the assassination of Franz Ferdinand up to the outbreak of war, showing how each government gradually concluded it was left with no alternatives but to fight. In a short final chapter, she rather movingly summarises the massive losses endured by each nation over the next four years, and gives a brief picture of the changed Europe that emerged.

Overall, I found this a very readable account. MacMillan has a clear and accessible writing style, and juggles the huge cast of characters well. I found I was rarely flicking backwards and forwards to remind myself of previous chapters - for me, always the sign of a well-written factual book. As with any history, there were parts that I found more or less interesting. I found the character studies of the various leaders very enlightening, while I was less interested in the various military plans (though accepting completely MacMillan's argument of their importance to the eventual inevitability of war). I got bogged down in the Balkans (always a problem for me in European history) but in the end MacMillan achieved the well-nigh impossible task of enabling me to grasp who was on whose side and why. This is a thorough, detailed and by no means short account of the period, but at no point did I feel that it dragged or lost focus.

One of the problems with the way I was taught about WW1 was that we tended to talk about the nations rather than the people - 'Germany did this', 'France said that', 'America's position was'. MacMillan's approach gives much more insight, allowing us to get to know the political and military leaders as people and showing the lack of unanimity in most of the governments. This humanised the history for me and gradually changed my opinion from believing that WW1 was a war that should never have been fought to feeling that, factoring in the always-uncertain vagaries of human nature, it could never have been avoided. This isn't MacMillan's position - she states clearly her belief that there are always choices and that the leaders could have chosen differently, and of course that's true. However, it seemed that by 1914 most of them felt so threatened and boxed in that it would have taken extraordinary courage and perception for them to act differently than they did, and inaction may have meant their country's downfall anyway. A sobering account of how prestige, honour and national interest led to a devastating war that no-one wanted but that no-one could prevent. Highly recommended.

NB This book was provided for review by the publisher, Random House.

17 of 17 people found the following review helpful.
Extraordinary piece of research, but ………….reader beware.
By Antonio Vives
What follows is not meant as a criticism of the book, which is an extraordinary piece of research, monumental in scope and deep in knowledge, making very clear why peace ended. The immersion of the author into the events and the level of details are astonishing. This review is meant to warn the reader of the efforts necessary to take full advantage of the book.

The major contribution of the work is the detailed and pertinent description of the main characters their weakness, follies, their basic humanity that helps to understand how we got there, which gives you a feel for why they made (failed to make) the decisions that ended peace. Terrifying thing is that things are not much different with our leaders. The details of the buildup, the plans, and the rivalries are masterfully described. So little is said about the internal situation of Serbia and on their leaders in the months before the war broke, like if it did not play a role in the conflict.

The major problem of the book is it excessive repetition that wears the reader down. How many times we need to be reminded that Russia had an alliance with France or that there was an arms race between the navies of Germany and Britain, or that Britain did not want to commit to anything, or that Russia was not ready for the war. It makes it look as if chapters were written by different hands that have not read each other. Granted, to edit these repetitions into a more coherent whole would be an almost impossible task in a volume of this magnitude, but it makes you wonder if the publication was rushed and there was no time for editing.

The books makes an extensive use of quotes from correspondence and conversations at the time, which gives you confidence that the analysis is done as if the outcome was not known, i.e. without the benefit of hindsight. Nevertheless, there is the real risk of choosing the quotes to benefit one's own story. Some of them seem very selective indeed.

It looks as if one has collected tons of notes and then goes on to fit them in the narrative.

Some chapter are developed based on themes, some are more chronological, which makes following the events a bit complicated. The book goes back and forth in time throughout the 10-20 years preceding the outbreak, sometimes even within the chronological chapters. It is hard to keep track where we are and the relationship between the many events.

Obviously for a story covering several decades and many countries a very large number of characters are involved. Some characters are described in detail even when their roles are very minor, others are just named but had a key role (anything about Alexander Hoyos? why are Beatrice and Sidney Webb mentioned at the beginning of Chapter 19?) The book would have benefit from having a list of names and roles (Wikipedia and Google become indispensable companions)

The book should be read in as shorter time as possible. If you stop for a few days, you may lose track of the events that were unfolding and who the characters are. There is so much going on, sometimes too much detail in side events which in the overall view of the outcomes are rather irrelevant.

But all in all, it is and extraordinary description of the events leading to the loss of peace.

Now, to read what happened during the war, go read The Guns of August by Barbara Tuchman.

23 of 25 people found the following review helpful.
this pudding has no theme
By Bud Norton
I looked forward to reading this one after the author's superb Paris 1919 -- a perfect set of bookend for your WWI shelf -- but was disappointed in its mediocrity. In the acknowledgements, she says she reluctant to write it but was urged to do so by the publisher, who was obviously hoping to strike gold a second time. She should have stuck with her first instinct.

Several reviewers have noted the occasional jabs at modern conservatives, which are just juvenile and anachronistic. I don't know if MacMillan was trolling from support from liberal reviewers in places like the NY Times or whether she genuinely thinks these "insights" are appropriate, but either way it shows bad judgment, and makes one wonder whether that lack of judgment is reflected in the other areas. Another irritating flaw: mini-biographies of the protagonists that add nothing and are uninteresting in their own right. It makes sense to explain the Kaiser's character flaws, since they had a direct effect on events, but the biographical detail on seemingly every player in the foreign offices of France, Germany, Austria-Hungary were excessive. The fundamental flaw is that the author draws no conclusions on cause and effect and how the war could be avoided; she clearly believes the war could have been avoided, but how? The narrative competently makes a pile of the events leading up to the war, but their significance is rarely clear, with the author mentioning mobilisation schedules, the German naval build-up, the Balkans, the general zeitgeist, and other possible causes without distinguishing what is there for background from genuine turning points.

I tried to put myself in the shoes of a general reader who knows nothing of the subject and asked if two stars is too harsh of a review for a book that does provide a narrative of pre-war Europe, but I don't thinks so -- the general reader will get more out of the (much briefer) discussions of the causes of the war in the works of authors like Niall Ferguson and John Keegan.

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